Author Archives: Antonios Liamis

Mapping Assignment

The map blog post refers to a project that was created by a four member team in Digital Humanities Methods and Practices last semester. It reached a satisfying level but the mapping section kept being built by me until recently.

After I completed my course in Digital Humanities Methods and Practices last Spring, I had the chance to work for a project that still has great potential to expand and inform anyone who is interested in immigration ,media history, or in European ancestry and of course every scholar of urban immigration and median history.

Immigrant Newspapers was a project that had multiple tasks as everybody had to get enrolled in a different demand in order to contribute to the completion of it’s initial scope. Our goal was to publish and distribute a digital collection of historical NYC immigrant newspapers by collecting them from hundreds of communities and various ethnic publications and displaying them in a public forum. The time span of those collections was between 1860-1890, mostly because of the increasing diversity of immigrants  from southern and eastern Europe who arrived then, but also due to the limited time we had to complete it during our semester.

Because of big responsibilities that everybody had to take over for that project(coding, data aggregating and cleaning, digitizing hard copies data sources, designing, UX researching, logo designing, social media account and many others) we didn’t that the opportunity to finalize our initial goals. Though we managed to take it to a good level. One of my responsibilities was of course to geocode a map so that the user can navigate and be able to easily find the geographic coordinates of those newspapers in the city of New York.

I started building an interactive map through Artmap software. I was inspired by the Tate Gallery in London since there was a similar way to geocode locations. Additionally the design was very appealing as the layout seemed to fit perfectly with the concept of our project.

 As I was trying to intergrade my JavaScript code into the WordPress platform, I faced some compatibility problems. I also noticed the background of the map was from certain longitude and latitude coordinates and it couldn’t fit to our demands, as the team and our instructor preferred to implement a historic atlas of the city. Additionally, trying to change marker pins with other icons depending on the origin country, I found additional technical difficulties. So I decided not to use Artmap tool in the end.

The next step was to find another tool that is more suitable for our project so I decided to use an open-source JavaScript library for mobile-friendly interactive maps called “Leaflet”. Mapbox was the software tool that I used to upload the code that was made through leaflet plugin to proceed with the implementation of the historical map up to the level it has been reached.

The map that was used to present our data was a georeferenced  illustration from a New York City Atlas in 1893. The grid covers almost the entire city, and it is good enough to georeference every newspaper what we had in our database. The user can interact with the publications within the context of the New York City region and when he clicks on the pin marker he is able to see valuable information for it’s publication separately.

However, using a historical illustration scanned form New York City Atlas,  I realized that it had additional difficulties. Unfortunately the user could see the edges of the page. That could restrict everyone from seeing beyond the boundaries of the page. Additionally using this kind of historical map,I couldn’t set a very high “zoomed out” level and resulted with the same conflict. One of the limited capabilities that I had with this option was that the publications points that were located outside those boundaries should be noted on a tool tip that it would be off the map and that was not looking so professional for such a project. Moreover that was not included among the main user experience principles and as a UX designer should have offered a better solution.

As the mapping project had reached a high level and it  could give more efficiency, interaction and value to whom might be interested, I was persuaded that it could also improved ,so I started modify again the mapping code and  in order to  include more components and useful tools as to add more  newspaper ethnicities for example.

 What I did this week was to find a higher resolution historical map and to implement it as a background. Along the way I realized that the problem remained the same. My new pin markers I added to the map that were near the edge of the historical map (e.g. a Greek Publication pin near Nassau county , Long Island ) revealed that even that map wasn’t good enough to georeference it, as the user was able to see the edges of the page. So my goal was to try to find another way to create it using filters that could give the historical sense of the map.

Having completed the Datavis Methods class during the summer, I was trying to see if that problem could be resolved using my Tableau skills. I tried to create the map in the Tableau platform .The results were satisfying, the annotations and the pin markers were fantastic but I still couldn’t find a way to incorporate a historical map on it.  This is still in process.

The interesting thing is that I managed to change the pin markers I found from shutterstock.com image library. Using different color codes that signifies every different language, I clustered them in a way so the user can recognize the publication newspapers that he is interested in and at the same time can eliminate whatever language the user dislikes to display on the map using the checking filter method.

By clicking on every pin marker the user can find a very detailed tooltip with a sample of the newspaper, any information that we aggregated (location, language etc.) and also a link that goes to the main profile of each publication.

What I have done within the last two weeks was to enrich the map with more newspapers from other languages(Greek, Russian Chezh, Yiddish, Turkish) based on  the database that we have already completed .Because of the of time limitation, although we have gathered our data of newspaper titles from Chronicling America, NYPL Microfilm library and NYHS, a project that lasted many weeks, we were unable to prepare all those collections, upload and mapping them at the same time.

My future goal is also to try to geocode all the newspaper collections and also to try to expand  their time span as the one that we have done so far was narrowed down to newspapers founded between 1860-1890.

Additionally tools like a search bar could also help the user navigate better. As the collection gets bigger and bigger, information gets gathered and the papers are scattered over the map area, the user could use an advanced  search engine tool to seek, locate, define and filter information (text and images) in the searchable index of the platform.

If I should write about the importance to develop such a project I would highlight that this project is a perspective of new immigrant history of New York through the lens of news media. As New York city is a real home for hundreds of communities and ethnic publications, this map could potentially discover great findings in their respective language. Moreover this mapping project could be a reminder of how immigrants have been an integral part of US history and especially in New York City history whether they arrived in 1830 or 2015.

Blog post 9/11 Epistimologies of DH

“The human being is the answer, no matter the question”. With the risk of sounding too Western I wish to begin my remarks quoting the surreal writer, poet and anti-fascist Andre Breton (who, among other interesting things about his life, opposed colonialism and traveled to Haiti for that matter). I am not indicating nationality because I wish to put the accent on his words and not his background. The reason why I chose to begin with these words is because I want to lay emphasis on the generic aspect of humanities.

After reading Kim Gallon’s chapter on black digital humanities, the following thoughts were generated in my mind:

  1. Accentuating the element of ‘blackness’ in several of our social constructions and norms in life, instead of underlining the common denominator behind them which is none other than our human condition (the triptych reason/spirit/appetite) impedes a constructive dialogue between technology and the service of human needs. I believe that black studies have done very well to identify and criticize the fact that digital services offered to black populations have been racialized, however, black studies must avoid the peril of self-entrapment.
  2. To the extent that ‘racialization’ is a fact and therefore it needs to be addressed, I can only think of participation and inclusion to be two strong remedies. After all, humanities revolve around humans. The more we reach out to them the better we understand them and create a more spherical opinion. Participation should not only involve the academia, as Gallon, more or less suggests. It can take up the form of community engagement. When a digital project is born, an analyst uses not only computational material, data and quantitative elements but asks for input in terms of user experience. The analyst’s ultimate goal is to achieve usability, satisfaction and sustainability. These objectives require thorough examination of social traits, through interviews and immersion in local cultures.
  3.  The future challenge in digital services will be the degree of customization. One size DOES NOT fit all. That is a given in today’s digital humanities bibliography. With reference to black digital humanities, the problem begins when “Type A” group of people attempt to create a system for the “Type B” group. Discrepancies are bound to occur. However, when we think how fast technology revolutionized the democratization in the use of means of communication, pluralism in digital products design should be a relatively widely accessible process, overcoming these discrepancies.
  4. Talking about becoming the very producer of the projects you will one day use yourself, I would like to mention a successful example by the Greek immigration authorities: The introduced the “Home New Home” program which aimed at training young refugees in digital filming. The purpose was to enable them to become the creators of their own digital projects. Instead of being the object of observation, the beneficiaries of the program became the subject. That is a crucial dimension in digital humanities because it diminishes the anxiety of being left out, or being dictated what to do, or how to respond.

Kim Gallon is the founder and director of the BPRC (The Black Press Research Collective).   The Black Press Research Collective  (BPRC) is an interdisciplinary group of scholars committed to generating digital scholarship about the historical and contemporary role of black newspapers in Africa and the African Diasporas.For those ones they want to have a look here is the link: http://blackpressresearchcollective.org/about/

Although it was hard to deep understand some meanings of the text  of  D.Fox Harrell story I ended up with  some  personal questions that pointing out my thoughts :

How can you evaluate immaterial labor in the context of DH? Is it the product of scholarship assessed by experts or the product of a cognitive process assessed by its users? Can the users who are by no means experts serve as the reviewers of an application? Is science so pure that anything which is not theorized in writing can be disregarded as non-scientific? It seems to me that this is a matter of “what comes first? The chicken or the egg”? “Theory or action?”.

An interesting view on this comes from Bruno Latour who in 1993 wrote that western science has been subject to a process of purification; a process that dissembles the fact that modern science is characterized by a hybridization of artifacts. In this sense, it is interesting to ask why there is the need in contemporary academia to be able to compartmentalize knowledge in such a way that alienates its different parts from each other?

 Especially since evaluation is also something that should be tested for its scientific merits. If evaluation that is also a product of intellectual labor stands unchallenged then it comes down to configurations of power within academia which elevate evaluation as a solid body of knowledge and reduce the evaluated labor in spare parts of human intellect that need to be checked not in relation but in separation with the process that created them. So it all comes down to who, why and how decides what knowledge and its different manifestations is.

Roopika Risen in her text “What passes for Human” is trying to express the way in which DH should approach different cases of technology such as the creation of robots with AI.

As long as the Digital Humanities centers produce and expand that kind of technology, they do reproduce the same cultural and aesthetic models with those of the western society.

Regarding to the question who is well-educated or uneducated, handsome or ugly we will keep representing of a variety of races, nationalities and other human attributes. Taken such analysis we realize that we can’t talk in any case about technology that imitates the human being, as it is clear that this human being is not exclusively the white Eurocentric model.

Language and Textuality, as said, are the core dimension of DH and they played an important role in the valuing of universalism. The huge textual producers of Europe, like Homer, Shakespeare or Cervantes are valued for their universality and their articulation of a “human condition”. Artificial Intelligence is supposed to mimic human cognition but instead of replicating the model of white Eurocentric male cognition, it should always consider another “human” areas such as humor, in order the natural language processing software to produce normative forms of the human. Humanoid text manages only to reinforce cultures and aesthetics of dominant culture paradigms .DH practitioners, therefore, should resist such types of universal human subjects in their scholarship as many times digital humanities projects that take up computational approaches, mostly  at the level of textuality, often fail to address the cultural dynamics.

As per which data can be found in supporting research and scholarship in Digital Humanities, DH practitioners should  broaden include and regenerate in their data as much Information as possible from culture, race, ethnicity, nation, gender and language resulting positively  everybody globally based on the same principles that DH was created to serve. Advanced technologies, under the umbrella of data, could give the opportunity to the researchers of Digital Humanities to join the mainstream of the digital age with new challenges: accessing and reusing large volumes of diverse data and most importantly to bring the knowledge of the complex intricacies of human society to light. Challenges and opportunities co-exist, but it is certain that Data, having the ability to achieve big insights from trusted, contextualized, relevant, cognitive, and consumable data at any scale, will continue to have extraordinary value in digital humanities. In the digital era, it is common for people to only think of data in terms of digitally available formats. The connection between digital data and data analytics is correct, but we need to fully understand that the terms “data” and “digital data” are not equivalent.

Blog : 9/4 The Power of DH tools

By defining Digital Humanities I found a well-targeted way by borrowing a phrase form “A DH That Matters”. It’s an excerpt that highlights the fact that the website Torn Apart/Separados shows “how digital humanists, scholars and practitioners in an expanding set of allied fields can contribute in meaningful ways to improve different situations and clarify their commitments to public scholarship addressing not simply to public but also to specific communities and the  needs that they identify as most pressing”.

While Torn Apart/Separados visualizes in Vol 1 the transfer of funds within United States regarding the actions of ICE and also the “zero tolerance policy”, in Vol2 tries to provide with an answer in issues that came up during the investigation of additional evidences.

 Such efforts, that have to do with social –political and also economic issues contribute significantly towards to the main scope of Digital Humanities. As the intro of “A DH That Matters “ relates, DH, through visualization and mapping of its projects achieves to impress the audience and also to make them attractive and acceptable as much as possible by the public. This is the only way to spread the word through the dissemination and criticism so that public requires quick responses and respectful answers by the political authorities.The good thing is that, this is being transformed in a powerful leverage of public which includes not only scholars and humanists but also the average citizens.

In such cases of humanitarian crisis, in our modern era the role of Digital Humanities could help effectively towards the direction of what the science of humanities advocates. The use of data through digital humanities approves practically that all the humans who are engaged with different social or educational background and also the new digital technology (coding, mapping, social media etc) could give a significant added value to humanities. That said, both of them could raise awareness to scientific issues in a clear way and mobilize the humans in a different and more interactive way, if we compare it with traditional media especially in cases such as that one that Torn Apart/Separados deals with.

A similar way in which digital humanities could achieve unlimited effectiveness is the example of the humanitarian crisis that took place in 2015 in Greece and Italy due to the war in Syria That  resulted a huge number of refugees immigrants and other asylum seekers who, under inhuman conditions have crossed the Mediterranean sea border using smuggler-provided (rubber inflatable) boats tried to find a shelter in northern EU countries. As a result we faced governments in panic without the experience to tolerate such issues, detention center along the borders with thousands of people and a European Union in front of a big dilemma of how to handle such a large number of people approaching each borders and the same time European countries trying to preserve basic values that were constructed upon Second World War based on solidarity and social state.

Non-governmental Organizations and volunteers from around the world were mobilized through traditional and social media to help on the spots. But Digital Humanities tools could guide through the use of data to the management of aid and transfer the people in a more effective way as well as to reactivate academics, scholars, students and European citizens towards a true solution to integrate smoothly and constructively those people in the European society. Years later it seems that the problem never existed as everybody stopped talking about it once the traditional media haven’t included it into their hot- topics agenda. Asylum seekers keep coming in European borders without a certain plan on behalf of the host European countries. In this case Digital Humanities projects could exert a powerful influence for a wide-European solution. As the data mapping project, Torn Apart/Separados, quickly captured the imagination of all humans and gained national media attention, similar DH tools could also gain potential insights providing an amazing example of how technology can be used to depict vividly a real story.